November '07
For the first two weeks, I worked remotely with the Seattle office and shot a ton of textures of both raw and luxurious materials. With this photographic base as a guide, Brad Abrahams and I led the rest of the job at the DK Seattle office (which actuallly has a great raw deluxe aesthetic to it's interior) with a small but talented crew. Whether it was DIY element shoots or scouring Seattle for additional textural photography, it was a great opportunity to push myself to create beautiful photographic visuals and bring them to life in motion.